Wednesday, January 24, 2018

LEAKS

I think it's fair to say that I am in tune with the infinite.
I'm also vigilant as far as noticing and interpreting signs and grasping metaphor.
It's not by chance then that today's page in my diary is enriched by the following morsel of wisdom written by Warren Buffett:
'In a chronically leaking boat, energy devoted to changing vessels, is more productive than energy devoted to patching leaks'.

©Aleta Michaletos

Tuesday, January 23, 2018

PSALM TO THE PALM (23rd)


I will not embroider on the variety of challenges the Universe has been lashing me with the past month (the most of which still remain unresolved.)
But today, I have been utterly and totally traumatized by the most recent cataclysmic event.
Despite the fact that I have no destructive inclinations and my adoration of nature and trees, I had to agree to the death sentence of that which was faultless and innocent.
Two majestic 40 year old palm trees, which were planted when we built our house, were executed this morning.
Whenever I happily sat on our verandah, protected by their dappled shade, the twin pillars reminded me of the two columns, Jachin and Boaz.
The palm is also one of the two attributes of victory, in the sense of elevation and exaltation. This I also sensed deeply and intuitively.
As an artist I express and create beauty with my hands and the shape of the 'palm' of the hand and fingers, then also mysteriously gain an additional meaning.
Although the only 'sin' the palms were guilty of, was doing what they did best as they excelled at growing upwards, producing leaves and abundant dates. However this, did not save them from an unforeseen, violent and abrupt death. 
It was only their vigorous excellence, which caused their downfall.
The most professional tree-fellers and -trimmers have warned us for some time, that the sheer height of our majestic palm trees, now made it impossible and extremely dangerous, to trim the dead leaves and life-threatening sheaths (with dagger points) which (without warning) plummeted to the ground next to us, on a number of occasions.
After the first palm fell, the executioner, Caspir, saw the distraught look of disbelief and horror on my face, as the length of the garden, was instantly filled with one tremendous, earth-trembling thud, releasing aromas that where buried deep inside as well as that of a few crushed leaves of a lavender bush.
As I burst into tears, the executioner was visibly shaken by my response and all he could awkwardly say was:
'sorry man'.........


 ©Aleta Michaletos

Monday, January 1, 2018

THE CHRYSALIS & THE BUTTERFLY

INTENTIONS
What I wish for you and Intend for myself, 
is to Gain the Strength and the Courage to Continue
the PILGRIMAGE of TRANSFORMATION and GROWTH, 
whilst simultaneously Resisting and Battling to Free oneself, 
from the Constraints and Encasement of the firm Cocoon
 the GOLDEN PUPA or CHRYSALIS 
 (which Paradoxically also signifies Comfort and Protection)
This Vulnerable Transitional State, 
where the Eventual Energetic Potential of the Butterfly 
is still Captured in a state of Incomplete Development,
often Attracts Predators and then
Inevitably and Tragically the GOLDEN PUPA
becomes a Mausoleum. 
If you Patiently yet Invisibly 
Nurture your Creative Qualities,
Keep your Energies Intact,
 Remain Alert, Sharp and Vigilant,
 your Reward will be to Prosper and be Successful
 after the Break-Through 
and claim Your Unique Opportunity to
Fly High and Fly Free in 2018 and beyond.
© ALETA MICHALETOS: 'EMERGENCE' oil on canvas 2002-2004 
(sold)
  

Saturday, December 9, 2017

PIGMENT OF THE IMAGINATION


       © ALETA MICHALETOS Cranium: PIGMENT OF THE IMAGINATION  
 oil on perspex 2002 
 
'When you are an inventor, it's impossible to stick to one formula.
To the inquisitive and discerning viewer, it may sometimes seem as though the winged evolutionary tract of my art making process has skipped a few steps, however that's entirely due to the fact, that the missing paintings have been painted in my head and therefore only invisible to the eye.'

Wednesday, December 6, 2017

'INDRA'S NET'

  44th Wedding Anniversary


'Today my husband Theunis and I, celebrate our 44th wedding anniversary and both of us are currently busy at work, giving our very best to the demands of our respective professions.
Fortunately as an artist, I am always thinking while I paint and my thoughts where directed to all our blessings .....not only all the cherished and simple things in our life, 


 but also the equally magnificent, complex, interconnected and sometimes overwhelming, extensive and ever-expanding structure, which has gradually come about and which is now established as a living, breathing dynamic: our work, our family and our friends.' 

- Aleta Michaletos

Wednesday, November 8, 2017

CONCERN: BURNING QUESTION

Why do I get the distinct feeling that life-threatening concerns, are allowed to escalate without intervention?
 Artist: © ALETA MICHALETOS - 'THE DAY EVEN THE DOG LOST HOPE' 2015 
 
When you are faced with gradual deterioration of sustaining structures, increasing or imminent danger, or even the possibility of a cataclysmic event, (whether as yet undetected or publicly revealed) does your concern lay exclusively with yourself and your own survival, or are you concerned about the greater effect it will have on the group/society or humanity as a whole? 

Copyright © 2017 ALETA MICHALETOS

Monday, October 30, 2017

DIA DE LOS MUERTOS



                                                       
‘Loss in South Africa: Robbed twice!

Not only does the ‘Grim Reaper’ harvest our beloveds with his Scythe but we are now also prevented from mourning them at their graves.

I visit the ‘Cemetaire’ of peaceful Lourmarin in France, which is gently cushioned at the top of a hill, and sloping down at the back. The elaborate, ancient graves nestle between low walls and ravaged Cypresses.

In a peaceful little corner, low-lying branches have been cut away to expose a small forest of vertical, cylindrical stems, the canopy above, gently protecting the grave enfolded in its leafy cave.
Countless seasons have transformed tombstones into bumpy, monochromatic palettes. Various sizes of velvety dots, some flat and others the shape of chocolate truffles, merge and soften the iron and concrete homes of the dead.
White, beige, brown and charcoal-black, green and rust, gently covers the tombs of their beloved’s dust.
I have no fear, walking between Angels made of stone. Eyes cast to heaven and feathery wings, flowing hair and robes, all carved from rock…. 

Timeless horizontal posies of multi-colored porcelain flowers, bedeck the surfaces, factory fresh, without crack, chip or blemish….

Shoulders hunched, his face darkly stubbled, a widower softly shuffles past on fine gravel, thick lashes wet with tears…...

Family mausoleums, grouped together on the terraced slope below, unite the bones of generations of relations.

Not only do we not dare visit the graves of our finally lost friends and families, in life, whom we love, are scattered across the globe.

Once dead, the ritual of remembering with respect, is lost, and eventually, the memory too.

A crisp breeze ruffles the petals of bouquets of fragrant flowers and dusts away the repression of memories, enabling me to recall countless visits together with my parents, to the family grave in the Rebecca Street Cemetery.

Our floral offerings were put in vases, which were positioned on all four corners of the granite tomb.

My task was to rinse the removable ceramic or metal vases under the tap, which nestled between the graves some distance away. The hem of my dress would offer transparent comfort, as barrier between my toddler’s hand and flaming steel carrying lukewarm water. Sacrifice it was not, as my lips, prepared in pout, would kiss the Angel sentries encountered on my way…..

Our black Desoto desolately stood under the stringy shade of a Peppercorn tree, boot raised and filled with stacks of old newspapers and watering can. After the silent ritual of arranging the flowers, the stalks and leaves that had been trimmed, would be neatly rolled up in the paper, scattered images proclaiming the Profumo Scandal or Sputniks to the moon. The vibrating air, cocooning the car, would sting your face with a wave of steam, as the doors were respectfully slammed shut.

Then, the only fear I had was that of sliding into the world of death beneath the soft graveyard-ground.

This ritual with our dead was routinely carried out, as an unquestionable part of life and my parents would be in pensive mood for some time, after these dedicated excursions of remembrance.

The hot sun was kind enough to wait until we turned the corner, before sucking the moisture from the modestly colored flowers and shriveling their tilting heads. We knew this to be true, because this image awaited us on our return.

The red and moist ground-heaps of the fresh graves, were always covered with layers of multi-colored bouquets. The sun would even attempt to drink from the glass-covered, plastic wreaths, but did not succeed. This we also knew to be true since the little condensed drops would be hanging by their necks from the inside of the glass dome covers and drop onto the handwritten cards below, streaking and smudging the sad words, with the tears of plastic flora.

I feel angry and sad since today I have been reminded of what I have forgotten I’ve lost.

Copyright © 2006 ALETA MICHALETOS  

www.aletamichaletos.com