Showing posts with label Cypresses. Show all posts
Showing posts with label Cypresses. Show all posts

Monday, October 30, 2017

DIA DE LOS MUERTOS



                                                       
‘Loss in South Africa: Robbed twice!

Not only does the ‘Grim Reaper’ harvest our beloveds with his Scythe but we are now also prevented from mourning them at their graves.

I visit the ‘Cemetaire’ of peaceful Lourmarin in France, which is gently cushioned at the top of a hill, and sloping down at the back. The elaborate, ancient graves nestle between low walls and ravaged Cypresses.

In a peaceful little corner, low-lying branches have been cut away to expose a small forest of vertical, cylindrical stems, the canopy above, gently protecting the grave enfolded in its leafy cave.
Countless seasons have transformed tombstones into bumpy, monochromatic palettes. Various sizes of velvety dots, some flat and others the shape of chocolate truffles, merge and soften the iron and concrete homes of the dead.
White, beige, brown and charcoal-black, green and rust, gently covers the tombs of their beloved’s dust.
I have no fear, walking between Angels made of stone. Eyes cast to heaven and feathery wings, flowing hair and robes, all carved from rock…. 

Timeless horizontal posies of multi-colored porcelain flowers, bedeck the surfaces, factory fresh, without crack, chip or blemish….

Shoulders hunched, his face darkly stubbled, a widower softly shuffles past on fine gravel, thick lashes wet with tears…...

Family mausoleums, grouped together on the terraced slope below, unite the bones of generations of relations.

Not only do we not dare visit the graves of our finally lost friends and families, in life, whom we love, are scattered across the globe.

Once dead, the ritual of remembering with respect, is lost, and eventually, the memory too.

A crisp breeze ruffles the petals of bouquets of fragrant flowers and dusts away the repression of memories, enabling me to recall countless visits together with my parents, to the family grave in the Rebecca Street Cemetery.

Our floral offerings were put in vases, which were positioned on all four corners of the granite tomb.

My task was to rinse the removable ceramic or metal vases under the tap, which nestled between the graves some distance away. The hem of my dress would offer transparent comfort, as barrier between my toddler’s hand and flaming steel carrying lukewarm water. Sacrifice it was not, as my lips, prepared in pout, would kiss the Angel sentries encountered on my way…..

Our black Desoto desolately stood under the stringy shade of a Peppercorn tree, boot raised and filled with stacks of old newspapers and watering can. After the silent ritual of arranging the flowers, the stalks and leaves that had been trimmed, would be neatly rolled up in the paper, scattered images proclaiming the Profumo Scandal or Sputniks to the moon. The vibrating air, cocooning the car, would sting your face with a wave of steam, as the doors were respectfully slammed shut.

Then, the only fear I had was that of sliding into the world of death beneath the soft graveyard-ground.

This ritual with our dead was routinely carried out, as an unquestionable part of life and my parents would be in pensive mood for some time, after these dedicated excursions of remembrance.

The hot sun was kind enough to wait until we turned the corner, before sucking the moisture from the modestly colored flowers and shriveling their tilting heads. We knew this to be true, because this image awaited us on our return.

The red and moist ground-heaps of the fresh graves, were always covered with layers of multi-colored bouquets. The sun would even attempt to drink from the glass-covered, plastic wreaths, but did not succeed. This we also knew to be true since the little condensed drops would be hanging by their necks from the inside of the glass dome covers and drop onto the handwritten cards below, streaking and smudging the sad words, with the tears of plastic flora.

I feel angry and sad since today I have been reminded of what I have forgotten I’ve lost.

Copyright © 2006 ALETA MICHALETOS  

www.aletamichaletos.com



    




Thursday, October 10, 2013

PAYSAGE EN MOROCCO



PAYSAGE EN MOROCCO

It is interesting to note, that I never feel the urge to do architectural depictions in South Africa. However, my visit to Greece in 1988 spawned a complete exhibition dedicated to the architecture in Athens and Sifnos.  
I think ‘feeling safe in your environment’, allows ideas to flourish in a natural way.  In South Africa, we have safety issues to consider and become reluctant to move around in the older parts of our cities that are steeped in character.  I feel robbed of my sense of belonging, my roots, and I am only allowed fond memories of places I frequented in my youth.

When it became public knowledge that I would be visiting ancient Marrakech, Fez and Casablanca in 2005, the comments always centered around how ‘colorful Morocco’, would influence my work.  The truth is that Morocco is colorless!  It is a typical dessert city similar to Cairo, where the earthy coffee-, cream- and beige tints and hues of the inhabitants, architecture and surrounds, become the canvas on which the color is artificially added, by cleverly incorporating bright and colorful textiles and paint. 
The local product 'brou de Noix' (extract of nuts) which is used by the calligraphers, was the medium with which I could express myself best.



                                    Paysage en Morocco:'FES' brou de Noix 490 x 370 mm 2005 sold

In this panorama or view on to ‘Fes’, I decided to omit more than half of the satellite dishes that were visible. (I simply found them too distasteful, as they had no place in the Biblical fragrance that emanates from this ancient city)

 My vantage point for ‘Fes’, was the rooftop of a Persian carpet dealer. The top of the building was strewn with newly washed carpets that were drying in the sun.  Although I had the luxury of a 360˚ view from where I stood, it was the tiny slice containing three Cypresses etched against the cloudless sky, which reminded me that besides myself, I was not the only ‘living one’ there.  Although I knew that Fez was teeming with life, no living soul was visible from above.  The Cypresses were guarding the secrets of the city like so many other sentinels one finds on guard at a cemetery.