ART PRINCIPLES

Art principles

Only 'con'- artists have propagated the lie that everything created by their hands is art, whether it is inferior or not.

Their statement is devoid of all truth.

It would be the worst insult ever, if a potential collector and art lover, confronts your art and finds himself in a position to be able to say: ‘I could do it!’

They should rather admiringly say: ‘how on earth did you do it? Or, ‘I would never be able to achieve such a masterpiece!’

Rather make your works ‘precious’ than merely ‘impressive’. Attention to detail and quality, is what elevates you to a different market. Think Rolls Royce, think Ferrari! Quality!

The discerning collector wants to be proud of your work, he will be showing it off to his friends and clients and he will be eagerly waiting for your new masterpiece!

'MANDALA MANDELA' (NELSON MANDELA PORTRAIT 3rd)

On completion of the second portrait, I still felt dissatisfied. I had not yet completely exhausted the richness of character and the many facets projected by this MAN. His complexity demanded of me to finally portray his ‘spiritual’ aspect, resulting in: ‘Mandala / Mandela’.

As before, and for similar reasons, I dutifully obeyed the conceptual suggestion to create the work of art in colored pencils. I’ve always been fascinated by the names attributed to us at birth and the impact they subsequently have on our lives. Deeply interested in this aspect, as mentioned, I noticed with amusement/amazement how attractively similar MANDELA and MANDALA sounded to the ear on the one hand and to the intellect on the other.

Mandela had rapidly transcended his political role, becoming the beloved of friend and foe alike. It was evident that he was irrevocably part of a new political/spiritual tri-ad:

Ghandi

Martin Luther King

Nelson Mandela

Isn’t it significant that TWO of these giants herald from South Africa and the other, a descendant from Africa?

A MANDALA, as we observe in the ‘Rose Patterns’ in stained glass windows and the ornamental ‘Floral Patterns’ depicted in Persian carpets as well as the design of the ‘Lotus Flower’ in Eastern and Middle Eastern culture, custom and the decorative arts, depicts ‘something’ radiating from the ‘centre’. However, most remarkable is the fact that a Mandala must by its very nature, surmount disorder. It is, then, the visual, plastic expression of the struggle to achieve order--even within diversity­—and of the longing to be reunited with the centre. Isn’t this is a fitting description of MANdela? This ‘spiritual’, intangible aspect of Madiba is exactly that X-factor that miraculously bonds us together as human beings, disregarding our differences or peculiarities. It appeals to the ‘basic good’ that underscores and permeates our very essence.

The final portrait, represents Mandela as, and in, the ‘centre’ of a ‘ROSE’. He smiles enigmatically, yet confidently. His eyes are fixed on a spot in the future, the place where he has prophetically visualized his beloved countrymen to be, MANDALA and MANDELA have blended ……..

Because we subconsciously believe that ‘things’ will be fine as long as ex(tra) president Mandela is around, we fear a post- Mandela South Africa. He has engineered a great miracle. His name is synonymous with reconciliation and he is our ‘bringer-of–luck’, our ‘lucky charm’, our Talisman,

'talis-MANDELA'

Fine art prints are available, contact: Aleta aletam@icon.co.za 
www.aletamichaletos.com

'GOD BLESS MADIBA' (NELSON MANDELA PORTRAIT 2nd)

This ‘Intellectual /Cerebral‘ portrait did not completely satisfy my need to portray the complexity of MAN (dela). Subsequently I was moved to conceive and portray, yet another aspect of him: ‘The Emotional’ portrait titled: ‘God Bless Madiba’.

Not only I, but whomever I spoke to, expressed and continue to air, concern regarding the safety and well being of our beloved Madiba. We cringe in empathy when we observe the increasing discomfort he experiences when climbing steps, walking and getting up from a seat. We are not blind to the fact that the world is filled with fanatics and we fear that he will be ‘removed’ from our presence as magically as he appeared! We are also concerned about his eyes and the problems surrounding it, and we have respect for his seniority. 27 Years took a great chunk out of his life!

All of these issues compact and crystallize into ONE deep emotion: CARE. We care enough to want to protect him at all times, against all foes. Who could do this better? We humbly ask God to protect this MAN from harm and to bless him………’God Bless Madiba’.

Because the name ‘Madiba’ is used in a very loving way and we use our hands to caress and protect the vulnerable, I conceived the imagery of ‘God Bless Madiba’ as follows: Madiba is surrounded and ‘protected’ by two giant cupped hands. The artwork is executed in colored pencil, a very gentle and translucent medium if applied sensitively. My subject usually dictates the medium in which it would like to make itself visible and this is a perfect example of my honest response. I virtually ‘caress’ the paper when I apply the pencil strokes, the delicate movements of my hand hardly visible as I take care not to ‘disturb’ my subject. When using this medium, the white paper left uncovered, becomes as important as the parts that are. This technique was used to great advantage to suggest some shimmering light or ‘halo’ surrounding him, by simply leaving the area directly around his head, untouched. ‘God Bless Madiba’ succeeds as a highly emotive portrait. 

Fine art prints are available, contact: Aleta aletam@icon.co.za 
www.aletamichaletos.com

'REBIRTH' (NELSON MANDELA PORTRAIT 1st)

3 PORTRAITS OF MANDELA

Conceived and executed by Aleta Michaletos in 1994

As part of a solo exhibition titled ‘Drawing Attention to Transformation and Regeneration’, which I held at the Pretoria Art Museum in 1994, I conceived and executed a symbolical portrait of Nelson Mandela, titled ‘Rebirth’. In the same year, ‘Rebirth’ earned the ‘United Nations Art and Philatelic Award’, which was bestowed upon me in October 1994, at the U.N. Headquarters in New York.

I will detail the thought processes behind the artwork as well as that of the two additional portraits that followed. All three portraits were exhibited at the U.N. Headquarters in 1994.

I found myself increasingly fascinated by the ‘conflict’ and paradox, surrounding Mandela. This political giant had spent 27 years, (during the prime of his life), jailed as a terrorist. Yet, the same man, earned the respect and admiration of the world …… he received the Nobel Prize for Peace!

In the painting, ‘Rebirth’, this mental ‘conflict’ is symbolically represented as follows:

7 Yellow ‘Doves of Peace’ fly from left to right and a ‘Black Hawk’, swoops from right to left. Mandela's head (the features highlighted in green,) acts as ‘arena’ for the ‘conflict’. At last, here is a MAN in whom the opposing forces are reconciled! These images are superimposed, one upon the other. If it were not for the three colors that differentiate the separate images, green, black and yellow (the colors attributed to the ANC), the artwork would simply be an unintelligible jumble of lines.

On closer inspection we note that this image of Mandela subtly suggests the outline of Southern Africa and the wings of the doves and hawk that crown his portrait, could well be ‘laurel leaves’.

The talons and beak of the hawk fall out of the main portrait and suggest that ‘force and violence’ no longer plays a part in his life. Only dynamic power and strength of character remain.

A comment made by a pastor from Soweto, moved me deeply. He was curious as to how I knew that the ’Hawk ’was a symbol synonymous with Mandela. ‘A hawk does not eat what it finds…it finds what it wants!’

My daily search for and collection of positive words for ‘Precious Circle’, installed a habit in me that has become a ‘blue-print’ for the way I conduct my life. I have named it my ‘catch-of- the-day’.

Part of my daily ‘catch’ is the ‘word-of-the-day’ which Wikipedea delivers into my Inbox every day.

On the 16^th May 2009, the word was ‘GREEN-MAN’, which describes ‘a sculpture, drawing or other representation of a face surrounded by or made from leaves.

Primarily ‘GREEN-MAN’ is interpreted as a symbol of ‘REBIRTH’ or Renaissance, representing the cycle of growth being reborn anew each Spring Remarkably, I was not aware of this concept until I recently read about it! Uncannily my portrait of Mandela is predominantly ‘green’, the ‘feathers’ can be mistaken for foliage and to top it all, it is titled ‘REBIRTH’!

Through these unexpected revelations even I have become a student of my own work.

A comment made by a pastor from Soweto, moved me deeply. He was curious as to how I knew that the ’Hawk ’was a symbol synonymous with Mandela. ‘A hawk does not eat what it finds…it finds what it wants!’

Fine art prints are available, contact: Aleta aletam@icon.co.za 
www.aletamichaletos.com

'BALANCE'

Balance

The way your friends all have individual qualities that you admire, such as spirituality, a sense of humor, philosophical, or serious and you miss them when you don’t see them for a while, so too you can have several 'kinds of paintings' on the go at once. Some satisfy your emotional needs or spirituality, where as others rely on technical brilliance.

The aim is to create harmony.

Harmony in yourself, which is reflected in your work.

If too much attention is given to one aspect of your personality, this imbalance or lopsidedness is reflected in your work.

'TAKE PRIDE IN YOUR WORK'

Be proud of your work

If you are ashamed to share your work with people, you have two choices:

Either:

• Stop painting and do something else, or
• Paint a painting you will be proud to show off.
• When you paint you must be liberal in what you do
  
• but
  
• Don’t waste your time
• Don't waste your talent
• Don't waste your paint.
• USE IT! USE IT ALL!!!

'PREPARATION'

PREPARATION

I find it best to always work in such a way, that you are prepared for something wonderful, whether it be an exhibition, a competition, an important client or young collectors wishing to see your work. Also have canvasses/ surfaces prepared so that you can instantly start a painting when you have or feel the need to.

Always be busy, never be bored.

'The Fear of Growing Old Alone'

This morning as I was brushing my hair at my dressing table, the design on the embroidered table cloth, caught my eye. An earring lay on the cloth and I imagined I saw the face of a little creature, trying to express and make itself visible. I felt compelled to assist in it's birthing process and instantly transformed myself into a creative midwife. 

It was born looking a bit crumpley and sad and slightly terrified. 

The title was written all over it.

'BLOG MAINTENANCE'

After an absence of 2 years, I've decided it's high time, to not only re-start, but actually MAINTAIN my blog. I've been very active on Facebook and that has been a time-gobbler. However, I've made many new friends and seen and shared great images that have been posted with uninhibited generosity. As a little appetizer, I've included a detail of a painting 'Odyssey' (oil on canvas) which I have been working on for a number of years.